Where's Helen, and Who Wants to Know?
Helen has been missing in action, as far as her family is concerned, and they are concerned, so they decide to hunt her down in her lair, so to speak. This week's episode features guest artists John Warner as Jonathan, Christopher McDougal as Charlie and Erica Sanderson as Susie, with Flloyd Kennedy as Janey and Helen. Just a wee reminder: we are totally unfunded by external sources, (those ads don't even touch the surface), so I'm only I'm paying these actors a pittance, believe you me. So if you'd like to help support them, why not drop a fiver or just $1, even in buymeacoffee.com/amIoldyet, or you could become a patron over at Patreon.com/amIoldyet and we will all be hugely, hugely grateful.
Helen has been missing in action, as far as her family is concerned, and they are concerned, so they decide to hunt her down in her lair, so to speak. This week's episode features guest artists John Warner as Jonathan, Christopher McDougal as Charlie and Erica Sanderson as Susie. Just a wee reminder: we are totally unfunded by external sources, so I'm only able to paythese actors a pittance, believe you me. So if you'd like to help support them, why not drop a fiver or just $1, in buymeacoffee.com/amIoldyet, or you could become a patron over at Patreon.com/amIoldyet and we will all be hugely, hugely grateful.
Could you please just drop a rating and/or a few words of review wherever you're getting your podcasts, or you can do it over on my website, amIoldyet.com. There's a whole page there for people to drop their comments. You can even leave a voice note over there. How about that? I'd love to hear your voices. Yeah, that would be really cool. And if you do get over to Patreon.com and you decide to become a Patreon, one of the perks of doing that, apart from ad-free access to all the episodes, is to name a character, create a new character for me to bring within Helen's milieu, as they say,
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SFX
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EPISODE 5 - WHERE'S HELEN, AND WHO WANTS TO KNOW?
FLLOYD
Helen has been missing in action, as far as her family is concerned, and they are concerned, so they decide to hunt her down in her lair, so to speak. This week's episode features guest artists John Warner as Jonathan, Christopher McDougal as Charlie and Erica Sanderson as Susie. Just a wee reminder: we are totally unfunded by external sources, so I'm only I'm paying these actors a pittance, believe you me. So if you'd like to help support them, why not drop a fiver or just $1, even in buymeacoffee.com/amIoldyet, or you could become a patron over at Patreon.com/amIoldyet and we will all be hugely, hugely grateful. Enjoy.
JONATHAN
What's going on with your mother?
JANEY
What do you mean, darling?
JONATHAN
Well, I know you speak to her just about every day, but you don't seem to have much to report back to me.
JANEY
No, she's... she's going to Susie's classes, and she has coffee with Jennifer.
JONATHAN
Oh yes, I thought Jennifer was moving out.
JANEY
Well, no, they took the flat off the market. Couldn't get a decent price, so they thought they'd wait another couple of years. They're quite a bit younger than Helen, you know.
JONATHAN
Ah, oh yes. When's when's she coming up to visit us.
JANEY
That's a good question. I'll ask her again, but she just doesn't seem to want to travel.
JONATHAN
Has she really gotten over that accident?
JANEY
I don't think she has. She thinks she has.
JONATHAN
This is all a bit of a downer, isn't it? Should we crack open a bottle?
JANEY
Perhaps there's some lovely new lemonade and ginger in the fridge.
JONATHAN
Ah. Ah, one of those bottles. Indeed.
JANEY
What were you thinking?
JONATHAN
I was thinking that rather nice Pinot Grigio I picked up last night on my way home from college.
JANEY
Hmm. Well, why not? Would you like some cake?
JONATHAN
Cake? Have you been making cake?
JANEY
Yes. Why are you so surprised? I often make cake.
JONATHAN
I don't think you've made cake since we've been in Edinburgh.
JANEY
Well, I had to do something because I was actually-I am worried about Mum, and I-I needed something to do, something different from what I normally do. So I made a cake.
JONATHAN
Okay, what sort of a cake?
JANEY
Chocolate walnut.
JONATHAN
Oh, hoh-oh! You're speaking my language. Bring it on.
JANEY
All right. Well, you can bring it on. It's in the fridge as well, next to the bottle of Pinot Grigio.
JONATHAN
Ah, yeah, got it. Oh, nice. Okay.
JANEY
But Jon, what are we going to do about Mum?
JONATHAN
Short of kidnapping her and bringing her up here, I really don't think there's much we can do. She's... she's managing. Is she managing?
JANEY
I don't know. She says she is, but I don't know if I can trust her.
JONATHAN
Well send Susie along to check her. Check out the flat and see what's going on there.
JANEY
I did that, and she said everything looked fine. Mum seemed fine.
JONATHAN
Hmm... Fine.
JANEY
Yes. Fine.
JONATHAN
Okay, that's enough of that. Right. How about Charlie? What's he up to?
TRANSITION
SCENE 2
CHARLIE
Well, why don't you ask her over here for a meal?
SUSIE
I did. She just said not at the moment.
CHARLIE
Is she on some kind of diet or something?
SUSIE
I don't think so. She just didn't seem to want to go out.
CHARLIE
And she didn't ask us over there for a meal.
SUSIE
No, no, she did not. And that is unusual now that you mention it,
CHARLIE
Well, why don't we ask ourselves over there for a meal? But we take the meal with us.
SUSIE
What — you mean, like a takeaway? A take-in away.
CHARLIE
Yes. You could cook something.
SUSIE
Don't be ridiculous.
CHARLIE
All right. Then I could cook something.
SUSIE
Such as?
CHARLIE
Ah... my speciality Thai green curry.
SUSIE
That's a thought. If you want to do it, let's do it.
CHARLIE
Right! Well, you phone her up to make sure she's not out gallivanting, and I'll pop down to the supermarket to pick up a few bits and bobs.
SUSIE
Okay. All right.
TRANSITION
SCENE 3
HELEN
Yes? Oh hi Susie.
SUSIE
Hi Gran. How you doing?
HELEN
I'm doing fine, thank you. How are you?
SUSIE
Oh, absolutely dandy. Um, Gran, are you busy this evening?
HELEN
Not particularly. What did you have in mind?
SUSIE
Well, Charlie is.. he's talking about making his fabulous Thai green curry, and he always makes far too much, and I hate having leftover sitting in the fridge, and so I wondered if—
HELEN
No, no, I don't want to go out.
SUSIE
Oh no, no, no, no, no. How about we come to you with the food? Not a take away, but a... a sort of a take it in.
HELEN
Oh, oh, all right. Yeah, that'd be nice.
SUSIE
You sure?
HELEN
Oh yeah, yeah, yeah. No! Thai green curry. That sounds good to me. Good.
SUSIE
Right then. We'll be over around seven. That do you?
HELEN
Ah, seven. Okay. Yeah. All right.
SUSIE
No, is something going on?
HELEN
No, not at all. No, no, seven's good. See you then. Bye,
DIAL TONE. DOOR OPENS AND CLOSES
SUSIE
Charlie? She hung up on me.
CHARLIE
Gosh. Who did? Helen? She okay?
SUSIE
Yeah, I just asked her if she'd like us to come over tonight with the Thai green curry, and she said yes, and then she hung up.
CHARLIE
Hmm... Right. Okay. Well, clear the way. Got to get this stuff into the kitchen, and then we'll see what's what when we get there. Okay.
TRANSITION
SCENE 4
JANEY
So you're going to.. you're even taking her food parcels now. I think that's lovely.
SUSIE
Yes... I do too... Really. Charlie's Thai green curry is rather special.
JANEY
Good. And what goes with it?
SUSIE
What do you mean?
JANEY
Well, rice. You're taking the rice too?
SUSIE
Oh, I assume so. He knows what he's doing.
JANEY
And what about some chutneys or that sort of thing,
SUSIE
Mu-umm! As I said, Charlie knows what he's doing. He'll have it all organized.
JANEY
Good. And so she hung up on you? I don't like the sound of that.
SUSIE
Yeah, I don't know. Maybe she, maybe she just needed to go to the loo in a hurry. But—
JANEY
Oh well, I suppose that's a possibility. Well, let me know what you find out.
SUSIE
I will. Don't worry.
JANEY
As if... Talk soon. Call me tomorrow.
SUSIE
Okay.
SCENE 5
JOHN'S VERSION OF "WALTZING MATILDA" FROM BAKED OFF PLAYING IN THE BACKGROUND.
DOOR UNLOCKING AND OPENING
SUSIE
We're here, Gran.
HELEN
Lovely. Come on through.
SUSIE
Charlie's just bringing everything up from the car.
HELEN
Good. I'm looking forward to this.
SUSIE
Oh, I hope so.
HELEN
Yeah, goodie.
SUSIE
Um. Oh! you've set the table. Oh, that's— Oh, you've even put a tablecloth down.
(laughing)
HELEN
Well, don't sound so surprised. You know I've got one, and I thought I'd make an effort.
SUSIE
Well, I am delighted. It will do Charlie's sumptuous feast... it'll make it look even better.
HELEN
That's what I thought. Now I've got a bottle of wine in the fridge. If you're up for it,
SUSIE
Oh, that'd be lovely. We brought one too. Shall we start with yours?
HELEN
Yeah, off you go.
SUSIE
Good...
HEADING FOR THE KITCHEN
How's Jennifer?
FROM THE KITCHEN
HELEN
Oh, oh, she's good. Yeah, she and Harry are doing quite nicely.
SUSIE
What's that playing on the radio?
HELEN
Oh, it's not the radio. It's the the woman who sits in the corner.
SUSIE
Echo,
HELEN
No, I changed her name.
SUSIE
To what?
HELEN
Ziggy.
SUSIE
Oh! Well. That's... unique.
HELEN
No it's not.
SUSIE
Is that your playlist? Very cheery. Is that Australian.
HELEN
I thought so. I'll turn it off now. Otherwise I can't hear a word you say.. Ziggy!
(ding dong)
Stop!
MUSIC STOPS. KNOCK ON THE DOOR.
SUSIE
I'll get it.
CHARLIE
Okay. Here we are, gangway. I'll head for the kitchen. Just need to reheat this a little bit. Is that okay?
HELEN
Of course. You help yourself. Very honored, Charlie. Thank you for thinking of this, including me in your feast.
CHARLIE
Oh, we often think of you. You know, it's just that you haven't been to ours for a while, so we thought we'd come to yours.
HELEN
Oh, well I suppose it has been a while. Yeah.I'll just get the glasses. White ok? To start, anyway?
CHARLIE
Good for me, thanks.
SUSIE
Me too. Thanks Gran. Anything I can do, Charlie?
CHARLIE
Sure, get the plates down. And cutlery.
SUSIE
Table's already set. Didn't you notice?
CHARLIE
Nnnnooo... Kinda had my hands full at the time.
SCENE 6
DISHES CLATTERING IN THE KITCHEN.
HELEN
Leave the dishes, darling. You don't need to wash them
SUSIE
I don't mind Gran, I'll just
HELEN
No, don't just anything. Seriously. You don't need to wash them
SUSIE
Why not? Are you expecting the fairies to come in and do them for you?
HELEN
No. Haven't seen the fairies since you were knee high to a grasshopper.
CHARLIE
Gawd! That long?
HELEN
Indeed. I managed to convince her there was a tribe of them under the sink. Which was why she wasn't allowed to look in there.
CHARLIE
Clever
HELEN
I thought so.
CHARLIE
What did she think would happen if she looked?
SUSIE
She said they would fly away and never return. They'd be homeless, wandering the streets of London looking for a cupboard to move into.
CHARLIE
Well what was so bad about that? Were they paying rent?
HELEN
Not at all. They were costing me, if anything.
CHARLIE
How so?
HELEN
Well, I had to buy little fairy trinkets and leave them lying around the place for her to find.
SUSIE
Yes, and she'd complain about how untidy they were, leaving their things here there and everywhere. So I had to go around collecting them, and leaving them in a neat pile in front of the sink cupboard.
CHARLIE
Nice.
HELEN
I thought so. Good housekeeping skills training.
SUSIE
Still doesn't explain why I'm not allowed to wash the dishes.
HELEN
It's because I have a dishwasher.
SUSIE
A what?
HELEN
A dishwasher! You have heard of them, haven't you?
SUSIE
Yes of course I have. But where is it? I can't see one
HELEN
Try the cupboard next to the sink.
SUSIE
(from deep in the kitchen)
The cupboard next to the...
(opening door)
Oh. Well well well. How clever is that! Very well concealed.
CHARLIE
When did you have it put in, Helen?
HELEN
About a month ago.
CHARLIE
And what brought that on?
HELEN
Oh... I just thought I could do with some luxury item, you know. This whole 'make things easier' movement that I've been complaining about. I was standing at the sink one day thinking 'why am I standing here all this time washing dishes if I don't have to?'
SUSIE
Well good for you.
CHARLIE
I'm curious. What was in the cupboard before?
HELEN
A whole bunch of saucepans and flying pans... flying pans? HAHAHAHA>. frying pans that I hardly, if ever, used any more. I don't think I've used more than one saucepan, and one small frying pan for years.
SUSIE
Why not?
HELEN
Oh Susie. Because I don't do all that much cooking any more. I don't need to. I certainly don't need all those blooming things cluttering up my space. So I did my research, found a little half size washing machine that fit the bill, and Jenny put me onto a plumber friend of Harry's. Job done. Happy me.
CHARLIE
Well congratulations. I hope you and your new dishwasher have a long and happy relationship.
HELEN
Me too.
SUSIE
Well, ok then. I'll load it up for you.
HELEN
Excellent. Saves me bending down to do it.
CHARLIE
Is that a problem for you?
HELEN
What?
CHARLIE
Bending down.
HELEN
Humph...
SUSIE
(from the kitchen)
What was that?
CHARLIE
I asked your Gran if bending down was a problem for her.
SUSIE
Oh.
(coming out of the kitchen)
And is it? Gran? I always thought you were pretty flexible.
HELEN
And I was, thank you very much. But nothing lasts forever, and that includes my bones. And ligatures... ligatures? that's not right. Bendy bits between the bones. Ligaments! And Cartilage! They wear out. And mine are doing just that. Believe me, you don't want to know.
SUSIE AND CHARLIE
Yes I do! / I rather think I do!
HELEN
No you don't. It'll happen to you soon enough,
SUSIE
What will? What is happening to you? ... Please Gran. We really do want to know.
HELEN
Why? It's just normal stuff. The ageing process, as they say.
SUSIE
Who says? Are you in pain? Coz if you are, there must be something that can help you.
HELEN
Yes! I told you. It's called a dishwasher.
CHARLIE
But are you actually in pain, Helen?
HELEN
Oh dear, you two. It that what this is all about? I thought we were just having a lovely meal.
SUSIE
We were. And we are. But we are also worried about you.
HELEN
Why?
SUSIE
Because you aren't answering phone calls, you won't come out to see us. You've stopped coming to class, for no good reason that I can understand.
CHARLIE
We are all worried about you, Helen.
HELEN
All? Oh. You've been talking to your mother, of course you have.
SUSIE
Yes of course I have. So what is it? What's going on.
HELEN
Susie, nothing is 'going on'. I'm fine. For My Age! Savvy the jazz? This is normal, it is to be expected. I'm 82 years old, and my body is degenerating. Hey! I'm a regular degenerate!!!
SUSIE
But what does that even mean?
HELEN
It means, my darling angel granddaughter, that I just have to slow down. I can't rush around the way I used to. No more leaping about at the same pace as you two. I have to take my time. MY time. Understand. And if I do so, reasonably carefully, I may last a bit longer than if I don't slow down. And it's frustrating that I can't join in with everything that is on offer, including trotting over to your place when you ask me, at least, not every time.
SUSIE
Oh.
HELEN
It doesn't mean I'm about to drop dead, it just means I'm stepping back to get the measure of this new stage I'm entering.
CHARLIE
What stage is that?
HELEN
Well, I'm still a crone, and an elder, or any other synonym deemed appropriate to describe my role, or function in society, according to my age range. But wh en it comes to my physical state of being, what I am, undeniably, unquestionably, unequivocally, (ooh, three good words at once!) - where was I?
SUSIE
You were—
HELEN
Oh yes, what I AM, is old. Get it? ... Do you get it?
CHARLIE
AND SUSIE
(hesitantly)
Yeah. / I guess so
HELEN
Good. Now who wants to load the dishwasher?
CHARLIE
AND SUSIE
I'll do it!
HELEN
Excellent. Now don't fight over it, children. And call me when you want to know how to switch it on. Took me about a week to figure it out.
THE END
OUTRO
FLLOYD
And there you have it. Finally, the question is answered. Sorry, I'm croaking away here. Oh, Helen and I are old. There you go. It's not so bad, is it? Wasn't so hard after all. It comes to us all in the end, but this is not the end because I've got at least one more episode almost ready to record and send into the ether for your listening pleasure. So, as I mentioned before, the guest artists in this episode were Christopher... I was going to say Chris topher Columbus. Sorry, Chris. Christopher McDougal. He's very patient with my slips and whatever's. Christopher McDougal as Charlie, and Erica Sanderson as the delightful Susie, John Warner as Jonathan, and I played Janie and Helen. The theme and incidental music is from John T La Barbera's "In the Labyrinth". The version of "Waltzing Matilda" that Helen listens to on her "woman in the corner" was also performed by John T, originally for our limited series, sister podcast "Baked Off! Live, laugh, Loaves" And yes, so that's that's episode five. In episode six, Helen's going to have a bit of a catch up with her ex, but still husband. If you listen to season 12, you'll understand what that reference is. It's only six episodes, so if you've if you started right here in season 13, I highly recommend you take a step back to season 12. Oh, another thing I keep forgetting to say: could you please just drop a rate, rating, and/or a few words of review in the—wherever you're getting your podcasts, as they say, or you can do it over on my website, amIoldyet.com. There's a whole page there for people to drop their comments. You can even leave a voice note over there. How about that? I'd love to hear your voices. Yeah, that would be really cool. And if you do get over to Patreon.com and you decide to become a Patreon, one of the perks of doing that, apart from ad-free access to all the episodes, is to name a character, create a new character for me to come into within Helen's milieu, as they say, okay. That's enough of me wittering on. I'll see you next time. In the meantime, stay safe.
END
Actor
John is a Brisbane (Australia) based actor, director, producer. His company, Trocadero Productions is known for its site specific Shakespeare productions, and for his satirical reviews and musicals. Among his roles are Henry in Henry V, Edmund in King Lear, Trigorin in The Seagull, The Bastard in The Life and Death of King John, Aaron in Titus Andronicus, and John in A Life in the Theatre (the latter directed by Flloyd)
He is presently working on his fourth play, 0 is for Orson, and preparing a new outdoor production of Cyrano de Bergerac.
Christopher McDougall
Christopher graduated from East 15 Acting School in 2018 and has been working in
various sectors of the industry since. He has much previous experience as an actor, as
well as a singer, writer and musical director.
Recent acting credits include Widow Twankey in Aladdin (Beverley Artistes); The
Narrator in Bonny and Read (Novanda Productions, Brighton Fringe/UK Tour); Aladdin
in Aladdin, Dugdale Centre, Enfield; Davie McD/Sam/Tobias Grenfell in Tell Me A Story,
produced by Kibo Productions for Zoom; Squire Bogey (and others) in Jack and the
Beanstalk, with M&M Theatrical Productions; God in It’s Aboot Adam, at last year’s
Edinburgh Fringe; Various characters in The Sherlock Holmes Experience, at Madame
Tussaud’s, London; and Fairy G/Sugar Plum in Bad Cinderella, at the Cockpit Theatre, in
December 2018.
In April 2021, alongside fellow producer Mark Hunter, he co-wrote, co-directed and
was Musical Director on Robin Hood: A Virtual Pantomime, which took place on Zoom,
and was very well received – they currently looking to revive it this year.
Christopher has also written a new musical – Star Streaker: The Musical – which he
hopes to revive in the not so distant future.
Find out more about what Christopher is doing at www.christophermcdougall.co.uk
Composer/Guitarist
John T. La Barbera, film score composer, producer, guitar and stringed instrument virtuoso and concert artist, has won several awards and commissions from The Jerome Foundation, Lincoln Center for the Performing Arts, The Martin Gruss Foundation, the New York State Council on the Arts, Meet the Composer, UMass-Dartmouth, and ASCAP.
His film scores include: Children of Fate (Academy Award Nomination 1992); The Old Guitarist starring Dominic Chianese; The Bounty Hunter; Sacco and Vanzetti ; Sister Italy; Pane Amaro; What's up Scarlet; Neapolitan Heart ; Finding The Mother Lode: Italian Immigrants in California; La Festa and Tarantella .
His silent film scores include Assunta Spina, (1915, Naples), ‘A Santa Notte (1922, Naples), Chaplin’s The Immigrant (1917) and The Adventurer (1917), The Black Hand (1906), The Musketeers of Pig Alley (1912) and The Adventures of Lieutenant Petrosino, (1912), Regeneration (1915)
In Theater, his expertise as composer, arranger and musical director was valuable in the off-Broadway productions of Souls of Naples, (Theater for a New Audience) starring John Turturro and the stage adaptation of Sicilian playwright Luigi Pirandello's short stories in Kaos, (New York Theater Workshop) directed by Marta Clarke. Folk Opera, Stabat Mater-Donna di Paradiso, was commissioned and performed at The Cathedral of St. John the Divine.
He has appeared on recording and performance projects with many great artists including folk singer Judy Collins, actor Dominic Chianese (Uncle Junior- Sopranos), Hollywood film sou… Read More